Tuesday 7 January 2014

Nice Things About Me

I'm going to try and start a list of positive comments people say to me so that when I feel down I can look at this and feel a little better about myself:

Ross Perkins 07/01/2014:
"Can't get over how good your artwork is Sarah. Unbelievable. Really well done, you should be proud of having such a great talent x"

Chumply (Tumblr):
Hi Sarah Elizabeth, I stumbled across your profile a few months back & whimsically added it to my stream thinking I probably wouldn't cast another glance at it - However it has become one of the blogs I check most often. The way you flit from the frivolous (harry Potter) to the serious - personal emotions to sex to un-supportive housemates / course-mates & all the time maintaining a level of candid authenticity. Sometimes I worry for you other times I am rooting for you as your enthusiasm seems to know no bounds. You are beautiful and talented - something I believe you yet to reconcile to yourself. It will come & with it happiness & success."

Wednesday 24 July 2013

New Drawing - Johnny Depp

Just a post to show you all my new drawing of Johnny Depp that I did yesterday. I was pretty bored and wasn't even in the mood to draw but I thought I might as well be productive and do something. I love this picture of Johnny, I love the expression he's making and his signature cheekbones so I thought I'd give it a go. I tend to draw mostly portraits as they're all difference, there's something a little different in the facial features every time, I think if you can capture someone's personality it adds a whole new meaning to a piece of artwork.

It's Black Conté, Charcoal & Pastel on A3 board and it took me approximately 3-4 hours to draw.

I hope you like it!


Johnny Depp - 23/07/2013

Saturday 20 July 2013

Visiting Auschwitz Birkenau - 20/07/2013



"For ever let this place be a cry of despair and a warning to humanity, where the Nazis murdered about one and a half million men, women and children, mainly Jews from various countries of Europe."
Auschwitz - Birkenau
1940 - 1945

Today I visited both Auschwitz l and the second much larger camp of Birkenau, Auschwitz ll. The 3rd camp is not open to the public and is mostly destroyed. I am a hugely interested in how people's minds work and how the Holocaust came about and ended; I have, quite morbidly, watched many documentaries and read several books on the history of the Holocaust due to the fact that 1. It interests me, and 2. It is my opinion that it shouldn't be forgotten and should be made known that it doesn't happen again. I know a lot of people argue that you don't need to visit to prove yourself worthy of preventing this tragedy again, quite frankly it has happened since in Serbia and will probably happen again. However I think it's important to go and pay your respects to the many victims who suffered there and to try to fully understand the sheer scale of extermination that happened here. I don't for one second think that I could even begin to possibly comprehend the terror, hunger, pain and loneliness the people felt as they were loaded off the cattle trucks on to the ramp, ready to be sorted into two groups, one sent to the barracks to work, the other to the nearby gas chambers.

The first part of our visit was to Auschwitz l, the smaller first camp which housed many political prisoners before the second camp was erected for Jews, gypsies, etc. In this camp I couldn't really get a feel for what went on here, the brick buildings looked quite respectable and well-kept, resembling somewhat of a small community. In some ways you could say that Auschwitz l was luxury in comparison to Birkenau. As we entered we crossed underneath the infamous sign bearing the words, "Arbeit Macht Frei (Labour Makes you Free)" - I have learnt that this is a replica of the original, which was unfortunately and shamefully stolen in 2009 and found in 3 pieces, now on show in a museum.

A couple of the blocks have been converted into museums so its hard to understand the conditions inside the blocks, the rooms show you huge glass cases of human hair, shoes, glasses, suitcases, pots, etc. We were asked not to take photos of the human hair out of respect for the woman who died before or after having it shaved but we were able to get photos of pretty much everything else. The volume of belongings was insane, and to think this was only a small percentage of the overall victims was shocking. The names on the suitcases were touching; the poor people thought they would be getting them back, not dying in the gas chambers or from another form of abuse, whether starvation or beatings.

I thought I would cry on this visit, I happen to cry at a lot of things quite easily. However I found myself quite neutral towards the experience, not to say I wasn't affected by the experience, it just wasn't as shocking and upsetting as I thought it would be. I don't think it's possibly to fully comprehend the evil that went on here, especially visiting on a hot summers day surrounded by other tourists dressed in holiday clothes. I think it would be ignorant to say that you could comprehend it.

In Auschwitz l we visited block 11 which was left in nearly the same condition as it was back in the 40s, with the same peeling wallpaper and decoration. The basement housed a prison within a prison so to speak, and we were directed to 3 cells: the starvation cell, the dark cell and the standing cell. I think the names speak for themselves. This was also the building where the first tests for Zyklon Bwere done. We were also taken to the execution area where thousands of innocent victims were shot, and a building where doctors would conduct experiments on the inmates. I don't think this was the block of Mengele, it was another name that I can't remember off the top of my head.

The place that most affected me was visiting the gas chamber crematorium in Auschwitz l, the 2 in Birkenau having been destroyed. We were able to walk through and stand in the room where thousands died before proceeding into the crematorium room where the bodies were burnt. The claustrophobia and darkness was enough to make me feel uncomfortable and my everlasting sympathy and respect for the victims of this war is eternal.


"To the memory of the men, women and children who fell victim to the Nazi genocide. Here lie their ashes. May their souls rest in peace."

It was a short drive to Auschwitz Birkenau ll, and there the familiar building and train tracks leading up to it became all too real. The picture that I got however was better from the inside, shown below. Taking this photo I was standing near the loading ramp where many thousands of people were taken from cattle trucks and sorted.


The train tracks were very touching because this is where many people spent their last hour. Standing on the loading ramp there was a photo of the sorting and we were able to place where we were standing in comparison to the doctor in the photo who was ordering people left and right, just a few feet away. It was hard to believe the confusion and fear that took place in the very spot I was standing.

We visited a restored wooden barrack housing basic toilets (or shall we say holes in concrete)  and what used to be the location of wash troughs, we then visited another with bunks in. We were told prisoners left 4-5 to a bunk and buckets were left around for excrement and urine. The smell must have been awful, something we again, can't begin to comprehend.

Walking the path that many innocent people walked to their death, we came to a memorial for the loss of lives. On our left and our right we witnessed the remains of crematorium 2 and 3, now a pile of rubble destroyed by the cowardly Nazis trying to cover up their murderous past. Though they were destroyed, they didn't have enough time to clean up after themselves so the structure of the undressing room, gas chamber and crematorium is still very much visible.



We visited the area just next to this where they used to keep the ashes before removal. Here a sign depicting the quote I have included a bit further up was erected in respect, but the hole where the ashes were is now full of water.
Walking down we visited brick barracks on the woman's side of the camp, more bunks and claustrophobic conditions. Then it was the end of our visit. Looking back on it it all seemed to fly by but the visit was incredibly interesting and though I will never know or understand the full extent of the fear and terror experienced here, I am glad I have been and will encourage anyone interested in war history to consider a visit. It isn't traumatising, it didn't even bring a tear to my eye, the ruins and the structure of the buildings is merely a shell of what this place was, but the history of this place should not be forgotten and we should forever educate ourselves in the workings of the human mind and the terrible mistakes that have been made and are sometimes still being made, so that we can be just another person that knows that this can't happen again.


Rest in Peace


Sarah Stonehouse
22
United Kingdom

Wednesday 26 June 2013

The Cripple of Inishmaan Review

Thanks to my wonderful university, I managed to get my friend and I free tickets to go and see the matinee performance of The Cripple of Inishmaan at the Noel Coward theatre by Leicester Square.


Sitting in the Royal Circle directly in the middle was a perfect view. I could see everything! I had read the synopsis before as I like to know what I'm going to see. For those of you who are unfamiliar with the story line, here is a short description to give you an idea of the basis of the plot.

The Cripple of Inishmaan is a dark comedy by Martin McDonagh who links the story to the real life filming of the documentary Man of Aran.The story revolves around a group of Irish inhabitants living on the small Aran Islands community of Inishmaan off the Western Coast of Ireland in 1934. News of a Hollywood film crew's arrival in the neighbouring town of Inishmore excites the people of Inishmaan, especially "Cripple Billy" Claven, a young boy keen to escape the gossip and mundane life he's used to, he vies for a role in the film and to the surprise of his family and aqquaintances, gets his chance.

As is probably obvious with me being a 21 year old and growing up with the world of Harry Potter and being quite a big fan of it, the main attraction for me was Daniel Radcliffe. As much as I love him as Harry, I also don't think his acting is overly brilliant in the films so I was intrigued to see how he's adjusted his acting talent into the world of theatre, having not seen him in previous shows such as Equus and How To Succeed...
I'm really happy to report that he was brilliant, it was a heartfelt performance and I feel that he put so much into it that I really believed him. Had no one told me Radcliffe was starring, I wouldn't have been any wiser. His accent was pretty much spot on, although I'm no dialect coach. If I'm being really critical his voice came through maybe twice and only slightly. I didn't relate him to HP in any way, there was so resemblance which I think is really impressive as he has been able to branch out of that franchise.


The play itself was funny and aimed at being light-hearted most of the time whilst teetering on the edge of offensive. A lot of 'fecking eejit' and 'ugly crip' were thrown around a lot but it was done in a way where you laughed rather than reacted with offense. Even though the play relied on humour, the story was actually quite sad, very heartbreaking and something that one couldn't laugh at in real life.

The rest of the cast were really great, they really bought their character to life. They brought in a lot of laughs and were just as good as Radcliffe who has primarily been featured on every advertising poster seen in London. I understand that he is a big selling point and people like me will want to go and see him in it, but that's not to put down the other actors. Pat Shortt was great as the comical Johnnypateenmike and I suitably wanted to box Sarah Keene as Helen McCormick around the head for playing such a believably spiteful character.


I would give this play 4/5, I wasn't bored once. Kudos Michael Grandage.


Oh and of course, speaking as a Scenic Artist, I found the set really great. It consists of (and turn away if you don't want spoilers) a revolve featuring 3 different rooms - the shop front, a bedroom and an outside area which changes from what I guessed to be a harbour into an outside seating area. I think getting into the career of being a Scenic Artist has taken away the magic of sets, I now know or have some semblance of an idea of how it's made so I spend the time guessing rather than just going "Wow, that looks cool!" But yeah, it was a great set, well made and nice to see some set rather than just projections and special effects.


Saturday 8 June 2013

Happy Birthday JD


Just a quick nod to my favourite icon with a collage of my Depp related paintings and drawings.
Happy Birthday Johnny Depp
May you continue being inspiring for years to come

Saturday 1 June 2013

Attraction BGT!

This is just an appreciation post for the act Attraction on Britains Got Talent because they are quite frankly... incredible. If you aren't a BGT fan, or you don't have it where ever you live, search it on YouTube anyway, you won't regret it.

Attraction are a shadow act, something that I can't remember being done on a talent show before. The calibre of talent within this group is brilliant. Behind a screen, they merge and form shapes to tell a story which usually brings a tear to anyone watching. I re-wound it to watch it again and cried even more than the first time. The semi-final act isn't on YouTube just yet so this is their original audition:


I just cried watching it again actually. I'd like them to win.
I think the ventriloquist should have gone through instead of the singer Jordan but I suppose I can't change it so I shall accept it.

My second favourite act is The Illuminates:



This is a short blog post really but I hope you liked it!

Monday 27 May 2013

My Royal Opera House 2 Week Placement!


So for the past 2 weeks I've been lucky enough to get some experience at the Royal Opera House Scenic Workshop in Purfleet, Essex through my university.


On the first day I was given a complimentary ticket to see La Donna Del Lago, the opera that was currently showing. I'm not a huge fan of opera's but I wouldn't miss an opportunity (especially when it's free) to try out something new. I saw The Marriage of Figaro at the Colosseum a couple of years ago and really didn't enjoy it, especially as the set consisted of a white wall revolving set - not too interesting for a Scenic Artist - so when I went to see this I hoped it would be better, which it was.
I'm eternally grateful for the idea of subtitles or else I would be completely lost. However I found that I spent the whole time reading them and not properly watching what was going on on stage; they also seemed to sing a lot longer than the subtitles suggested. Focusing on the aesthetic side of things, I found the set to be very beautiful and quite traditional looking. There was a big mountain scene painting on a set of doors that rolled in and out and for a while I was distracted trying to determine whether it was a painting or a photograph. (I later found out it was a painting and I wish I could show you but no photography allowed I'm afraid.)
Whilst being at an Opera I find myself quite uncomfortable in the fact that I'm surrounded by far more refined people than me... using words such as 'quite' and 'bravo'.

In total I was only in the ROH workshop for 6 days. To give you an idea of what I did, here is a schedule I made which will eventually be a part of my end of term essay.




I didn't get much chance to help out with ROH sets as I was learning how to draw and paint using a stick and working on a personal project for university. However, I learnt SO much from this, including new techniques and methods that I wouldn't really get a chance to do such as making a cloth look like 3D foliage. Their list of products is insane, everything I wanted to try was there for me to use and they didn't mind at all. I did get to help cut out a cloth for an upcoming show but hopefully one day I will be able to go back there and help out more. Here are some pictures of what I did whilst there:






At the end of my placement I was given another complimentary ticket to see the Raven Girl/Symphony in C ballet's (two ballet's in one showing) which was great as I prefer ballet to opera. The first ballet was driven by a story and it's colour's were quite dark. It was great to see a set that the artists had been working on just before I arrived at the workshop, on stage. I'd previously seen pictures of it and it was good to see under lighting. It was good but I found my attention drifting quite a lot which I assumed was going to happen, I don't enjoy it enough to be hooked. The second ballet was just... ballet. Pretty white tutu's set again a bright blue background - very pleasing to look at and only lasted 36 minutes so it was a nice pick-me-up after Raven Girl.

I think this is a worthwhile read if you're interested in Raven Girl. Click HERE.

These two weeks have been an amazing experience, I've seen things I wouldn't have done had I been in university and even though I didn't get to help out too much with the ROH sets, their help and guidance was genuinely appreciated.